Rabu, 26 November 2014

Get Free Ebook Project Ironman: Beginners guide to Ironman RacesBy Todd Pringle

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Project Ironman: Beginners guide to Ironman RacesBy Todd Pringle

I have written this book over the course of the last 5 years leveraging the contents as I coach and train for Ironman distance races. There seemed to be a gap to help assist self-coached athletes to pull together the pieces helping them achieve their personal goals in endurance sports. Most books I have read are excellent for helping to define training plans, use of training technologies, sprinkled with a few inspirational stories of how people overcame their challenges to achieve their triathlon goals. The challenge for some of us, myself included, is that technology and the details of the workouts are only a piece of the puzzle that help us to achieve our goals. They are the needed evils of training for our sport, but what seemed to be missing was a method to pull the information together in a manner that wasn’t completely overwhelming. My approach was developed to ensure I had triathlon / work / life balance (and not necessarily in that order!) in an easy-to-understand methodology. Most of us hold down full time jobs and have kids or other family activities at the very least. I have a unique background for this journey with you. I am veteran of many marathons and all Triathlon-length races, including multiple Ironman’s. I am an IRONMAN CERTIFIED Coach. I am also a seasoned project manager since the early 90’s, and have managed numerous multimillion dollar complex projects. The discipline instilled by project management, with budget, scope, schedule and quality constraints, naturally lent itself to a logical and ordered approach for tackling the Ironman goals. I took my simple approach that I apply to large projects and applied it for endurance sports.

  • Sales Rank: #2622236 in Books
  • Published on: 2016-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .23" w x 6.00" l, .33 pounds
  • Binding: Paperback
  • 102 pages

About the Author
Todd is a seasoned Project Manager and IRONMAN Certified Coach. He started the triathlon journey in 2006 and has climbed the Ironman Mountain multiple times. He is supported by his wife Cathy and two awesome kids Matthew and Millie.

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Jumat, 21 November 2014

Free PDF The Political Life of SensationBy Davide Panagia

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The Political Life of SensationBy Davide Panagia

The taste of chocolate, the noise of a crowd, the visual impressions of filmic images—such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze’s and Jacques Rancière’s readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order.

Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible.

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Sabtu, 15 November 2014

Free Download From Chicago to L.A.: Making Sense of Urban TheoryFrom Brand: SAGE Publications, Inc

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From Chicago to L.A. begins the task of defining an alternative agenda for urban studies and examines the case for shifting the focus of urban studies from Chicago to Los Angeles. The authors, experienced scholars from a variety of disciplines, examine:

  • The concepts that have blocked our understanding of Southern California cities
  • The imaginative structures that people have been using to understand and explain Los Angeles
  • The utility of the "Los Angeles School" of urbanism

  • Sales Rank: #1665159 in Books
  • Color: Multicolor
  • Brand: Brand: SAGE Publications, Inc
  • Published on: 2001-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.10" w x 7.50" l, 2.11 pounds
  • Binding: Paperback
  • 456 pages
Features
  • Used Book in Good Condition

Review

"The book serves its purpose. It captures a range of the many landscapes that are Los Angeles, it presents a variety of perspectives on urban thought, and it leaves one with a sense about the L.A. School."

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Selasa, 04 November 2014

PDF Download Draw the Circle Prayer Journal: A 40-Day Experiment, by Mark Batterson

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Draw the Circle Prayer Journal: A 40-Day Experiment, by Mark Batterson

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Draw the Circle Prayer Journal: A 40-Day Experiment, by Mark Batterson


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Draw the Circle Prayer Journal: A 40-Day Experiment, by Mark Batterson

About the Author

Mark Batterson is the New York Times bestselling author of fifteen books, including The Circle Maker, In a Pit with a Lion on a Snowy Day, and Chase the Lion. He is the lead pastor of National Community Church, one of the most innovative and influential churches in America. One church with seven campuses, NCC also owns and operates Ebenezers Coffeehouse, the Miracle Theatre, and the DC Dream Center. Mark holds a Doctor of Ministry degree from Regent University. He and his wife Lora, have three children and live on Capitol Hill.     

Read more

Product details

Hardcover: 208 pages

Publisher: Zondervan (August 21, 2018)

Language: English

ISBN-10: 031035269X

ISBN-13: 978-0310352693

Product Dimensions:

5.8 x 0.7 x 8.5 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#9,724 in Books (See Top 100 in Books)

Well made. I love the strap for holding it together. Nice spaces for journaling thoughts and prayers after reading the content. No one beats Batterson when it comes to prayer. Great book/journal!

My bible study group finished the Circle Maker then we moved on to Draw the Circle. A wonderful and moving study. Thank you Mark Batterson for reaching out and writing these books.

loved the book.. and cant wait to dig deeper with the journal.. quality paper and nice elastic tough to hold it closed

I love the very specific topics and scriptures for each day! Excellent way to journal your prayers!

Love it.

This was a very easy to read and follow. Start drawing your prayer circle's.

Very meaningful devotions! Plenty of space to journal prayers.

I love it!

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Jumat, 17 Oktober 2014

Free PDF Why Africa Is PoorBy Greg Mills

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"Why Africa is Poor" looks at the fragile economic and political situation in Africa and makes the quite controversial argument that the main reason why Africa's people are poor is due to the choices made by their leaders. Dr Greg Mills draws extensively from his experiences running various presidential-level advisory teams across the continent and examines the policy choices that have stunted African development. In providing some answers to the conundrum of development, the book focuses on the way in which the global economy works, Africa's record and the choices made by its leaders, the role of the outside world and the global aid regime. It assesses whether the odds are in Africa's favour and identifies the areas where African leadership could make better choices.

  • Sales Rank: #3373283 in Books
  • Published on: 2010-11-17
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 6.20" w x 9.30" l, 1.72 pounds
  • Binding: Hardcover
  • 432 pages

About the Author
Dr Greg Mills currently directs the Johannesburg-based Brenthurst Foundation, established by the Oppenheimer family in 2005 to strengthen African economic performance. During 2006 he served as head of the 'Prism' strategic analysis cell and special adviser to the Commander of the Ninth International Security Assistance Force based in Kabul, and in 2008 was seconded to the government of Rwanda as strategic adviser to the president. During 2009 he served as a member of the Danish Prime Minister's Africa Commission, and was a visiting scholar at the Centre for African Studies at Cambridge University. From 1996-2005 he was national director of the South African Institute of International Affairs.

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Sabtu, 20 September 2014

Download PDF The Accommodation: The Politics of Race in an American CityBy Jim Schutze

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The Accommodation: The Politics of Race in an American CityBy Jim Schutze

The Accommodation: The Politics of Race in an American City

  • Sales Rank: #1150959 in Books
  • Published on: 1987-02
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 199 pages

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Rabu, 17 September 2014

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Review

Named as Part of Bustle's Scariest Book in Your State for Pennsylvania.“Color us captivated. This collection seems a treat for anatomy enthusiasts and creaturephiles alike."—io9“E.B. Hudspeth’s The Resurrectionist is PFA (that’s pretty freaking amazing)”—ComicsBeat.com   “These detailed and fantastical drawings will intrigue any reader curious about the hypothetical anatomy of mythical creatures such as mermaids, minotaurs, and harpies. In the context of the story that precedes them, they prompt disquieting thoughts about the extreme lengths to which the fictional Dr. Black may have been willing to go to prove his assumptions, and what—or who—may have served as his models.”—ForeWord Reviews   “…a bit of Charles Darwin and a bit of P.T. Barnum.”—Inked Magazine “Doctors Moreau and Frankenstein should make room for a new member of their league of extraordinarily grotesque gentlemen, for there is a new mad scientist in pop culture.”—Aaron Sagers, MTV Geek“The vivid imagery unveiled becomes the dark fantasy response to Gray's Anatomy...”—Filter Magazine“The book is a welcome addition to any library of dark fantasy, with its beautiful portraiture and gripping description of a man’s descent into perversity.”—Publishers Weekly, “Pick of the Week”“Disturbingly lovely . . . The Resurrectionist is itself a cabinet of curiosities, stitching history and mythology and sideshow into an altogether different creature. Deliciously macabre and beautifully grotesque.”—Erin Morgenstern, author of The Night Circus “A masterful mash-up of Edgar Allan Poe and Jorge Luis Borges, with the added allure of gorgeous, demonically detailed drawings.  I’ve never seen anything quite like The Resurrectionist, and I doubt that I will ever forget it.”—Chase Novak, author of Breed“Fans of Neil Gaiman, Hieronymus Bosch, and the Mütter Museum are sure to love [The Resurrectionist: The Lost Work of Dr. Spencer Black] and the rest will certainly be both astounded and intrigued by what you find inside!”—The Garden Island 

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About the Author

E. B. HUDSPETH is an artist and author living in New Jersey. This is his first book.

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Product details

Hardcover: 192 pages

Publisher: Quirk Books; 1st Edition, 1st Printing edition (May 21, 2013)

Language: English

ISBN-10: 1594746168

ISBN-13: 978-1594746161

Product Dimensions:

7.8 x 0.8 x 10.8 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

279 customer reviews

Amazon Best Sellers Rank:

#17,961 in Books (See Top 100 in Books)

Wow, not knowing what to expect I was first impressed with the quality of the book, from the way the pages feel and the quality of the paper and illustrations it's simply first class from the moment I touched it.It's history, vision, twisted and amazing all rolled up in one. Imagination, art, insane? You'll have to be the judge, I for one went from stunned to impressed and back to stunned. First class work.

A very spooky read. A shame that it isn't longer. It's not a ''novel'' persay, but rather the retelling of a mad scientist. First half is the story part, the second half is creepy illustrations and descriptions of the various half-human abominations the Resurrectionist believed to have existed.If you are into horror and cryptozoology, I'd definitely recommend this. If you are looking a more conventional horror novel, then this might not be up your alley. You may however be pleasantly surprised!

This book is about a fictional doctor who believes human deformity stems from some lost memory in the dna or genetics of mythological creatures. Most is in the form or letters or personal notes with some story background. As the doctor descends into his "research and work" you can sense and "see" him descend into madness. His medical experiments are dark and somewhat startling and some not predictable at all. Its almost like brilliant surgeon turned Frankenstein in his experiments. Its sad, grotesque, and opens a new door into genetic exploration at a fictional level. The artwork in the form of plates is phenomenal and works very well for this book and its storyline. It falls into the realm of macabre without being overly so. I would recommend this book if you like the strange, forbidden, and a solid short storyline.

The Resurrectionist by E.B. Hudspeth I came across on Amazon through one of their routine mailings, it may have been their first read program but I no longer remember. I finally got to finish this two part book and was very impressed. The first part is a fictional biography of a doctor who falls from grace after he becomes obsessed with cryptids and trying to prove that they once existed and even interbred with humanity in some cases. The second part of the book is his detailed anthropological bestiary.I have to applaud the author. The biography is engaging and believable. We get to ride along as the madness takes over Dr Black’s life and experience the havoc it causes in his family. I found it exceptionally poignant that he experiences the loss of his wife twice and the lengths he went to in attempting to save her each time. We are left with the revelation that one of his children is crazed as well and that the bestiary and notes may or may not have fallen into his offspring’s hands despite his terror of what may happen if that were to happen. If they do a second book and follow that young man I would be just as interested to read that as well.The second part of the book was also well done. I read this on my phone but to really appreciate the level of the bone and muscle studies I will have to open it again on either my kindle, a tablet, or my laptop itself. I debate hooking up to one of the TVs to REALLY get a good close view of the little details. I may do so and confuse the kids as to what I am actually up to. It is not an extensive bestiary but it does cover mermaids, satyrs, harpies, and a few other such creatures. Anyone that is a fan of cryptids, anatomy, or taxidermy will likely find this section fascinating.I highly recommend this book, especially to those like myself who love cryptids and the possibility of other species mingling unknown with our own. Those that enjoy the Skin Deep Comic may also find this interesting.

"Philadelphia, the late 1870's. A city of gas lamps, cobblestone streets, and horse-drawn carriages-and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia's esteemed Academy of Medicine, where he develops an unconventional hypothesis: What if the world's most celebrated mythological beasts were in fact the evolutionary ancestors of humankind?" -From the book.

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Jumat, 29 Agustus 2014

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  • Published on: 2012-08-21
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Minggu, 24 Agustus 2014

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  • Sales Rank: #6163175 in Books
  • Published on: 2015-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .17" w x 8.27" l, .46 pounds
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Kamis, 21 Agustus 2014

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Selasa, 05 Agustus 2014

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Throughout history, people have tried to construct 'theories of everything': highly ambitious attempts to understand nature in its totality. This account presents these theories in their historical contexts, from little known hypotheses from the past to modern developments such as the theory of superstrings, the anthropic principle and ideas of many universes, and uses them to problematize the limits of scientific knowledge. Do claims to theories of everything belong to science at all? Which are the epistemic standards on which an alleged scientific theory of the universe - or the multiverse - is to be judged?

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  • Sales Rank: #2581048 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2011-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 1.20" w x 9.60" l, 2.10 pounds
  • Binding: Hardcover
  • 416 pages
Features
  • Used Book in Good Condition

Review
"Helge Kragh is one of our best historians of physics, and the author of several outstanding books. The idea of a history of highly speculative theories in physics is excellent. Although there are popular accounts of recent cosmological and grand-unifying theories, no historian has so far attempted to bring together old and new cases of such theories. The result makes fascinating reading and induces thought-provoking comparisons." --Olivier Darrigol, CNRS: Sphere/Rehseis

About the Author

After graduation from the University of Copenhagen in Physics and Chemistry, and a period as teacher in gymnasium schools, Helge Kragh became Associate Professor at Cornell University, Departments of History and Physics. Later, he took positions as Curator at the Steno Museum for Science and Medicine and Professor of the History of Science at the University of Oslo, Norway. Since 1997, he has been Professor of the History of Science and Technology, University of Aarhus, Denmark. He is a Member of the Royal Danish Academy of Science, the International Academy for the History of Science, and of the European Academy of Science. He was President of the European Society for the History of Science (2008-2010).

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Senin, 04 Agustus 2014

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Astrophotography on the Go: Using Short Exposures with Light Mounts (The Patrick Moore Practical Astronomy Series)

Astrophotography on the Go: Using Short Exposures with Light Mounts (The Patrick Moore Practical Astronomy Series)


Astrophotography on the Go: Using Short Exposures with Light Mounts (The Patrick Moore Practical Astronomy Series)


Free Ebook Astrophotography on the Go: Using Short Exposures with Light Mounts (The Patrick Moore Practical Astronomy Series)

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Astrophotography on the Go: Using Short Exposures with Light Mounts (The Patrick Moore Practical Astronomy Series)

From the Back Cover

No longer are heavy, sturdy, expensive mounts and tripods required to photograph deep space. With today's advances in technology, all that is required is an entry-DSLR and an entry level GoTo telescope. Here is all of the information needed to start photographing the night sky without buying expensive tracking mounts. By using multiple short exposures and combining them with mostly ‘freeware’ computer programs, the effect of image rotation can be minimized to a point where it is undetectable in normal astrophotography, even for a deep-sky object such as a galaxy or nebula. All the processes, techniques, and equipment needed to use inexpensive, lightweight altazimuth and equatorial mounts and very short exposures photography to image deep space objects are explained, step-by-step, in full detail, supported by clear, easy to understand graphics and photographs.  Currently available lightweight mounts and tripods are identified and examined from an economic versus capability perspective to help users determine what camera, telescope, and mount is the best fit for them. A similar analysis is presented for entry-level telescopes and mounts sold as bundled packages by the telescope manufacturers. This book lifts the veil of mystery from the creation of deep space photographs and makes astrophotography affordable and accessible to most amateur astronomers.

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About the Author

An American by birth, Joe Ashley currently lives in Greece. His career in the U. S. Navy included the recovery of astronauts Conrad and Cooper and their Gemini V spaceship from the sea; from there he began an engineering and research career (probably only possible at that time in history) involving submarine noise, chemical warfare defense, and energy conservation. Along the way, he obtained a doctorate in Public Administration. Now retired, he completed his career as the Program Manager for the U. S. Department of the Navy and Marine Corps Energy Conservation Program. Recently, Ashley has participated in on-line astronomy forums, primarily the Stargazers Lounge and The Astronomy Forum. In late 2009 he became a moderator on The Astronomy Forum, the world’s largest (based upon membership). Parallel with that, he pitched into what he calls “the dark side of astronomy” – astrophotography – concentrating on getting the best possible images from simple lightweight equipment.

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Product details

Series: The Patrick Moore Practical Astronomy Series

Paperback: 320 pages

Publisher: Springer; 2015 edition (October 4, 2014)

Language: English

ISBN-10: 9783319098302

ISBN-13: 978-3319098302

ASIN: 3319098306

Product Dimensions:

6.1 x 0.8 x 9.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#1,121,216 in Books (See Top 100 in Books)

I like this book quite a lot as it tends to fit with what I like to do in astrophotography - which is not exactly what the book is aimed at. This is a very worthwhile book and I think almost anyone who has an interest in using relatively short exposures for astrophotography - or using relatively modest equipment will benefit from reading it.Unfortunately, the book suffers from relatively poor editing. The author is a very smart guy (I've been reading what he has written in non-book form for some years and know this to be true), but everyone needs a good editor with decent knowledge in the subject matter and the author didn't have that. This means the book should get about 4.7-4.8 stars (4.7-4.8 is closer to "5" than it is to "4" so I give it a "5") because it is still a very valuable book which accomplishes its primary goal beautifully.The biggest problem is with the description of how the CCD sensor works and of the Bayer matrix. You will get information which will generally allow you to understand how you need to interact with the equipment and to make it work for you and it is thus not a fatal flaw, but the information is incorrect nonetheless. In any case, a full understanding of how a CCD and/or CMOS sensor works and of the Bayer matrix is not the reason you should read this book.You should read this book because Mr. Ashley will show you how to choose and use relatively small telescopes and lightweight mounts (which tend to be relatively inexpensive) and the relatively short exposures required in this context to do some really good astrophotography. I do not know of any other source which will give you as much help toward that goal and it is why I am going to keep my paperback copy and am contemplating getting the Kindle version as well.So yes, it is flawed, but not in the most important particulars. Highly recommended.

I got into visual amateur astronomy about ten years ago and had an interest in astrophotography but did not know where to start and certainly did not want to spend thousands of dollars on an unknown hobby. Mr. Ashley's book is geared toward someone just like me, a novice with little knowledge of AP and a small budget to get me started. Step by step in clear, understandable language, Mr. Ashley takes you through the minimalists approach to AP on a budget and on the go. Mr. Ashley is not only an excellent writer with the ability to teach what can be a difficult, hard to understand subject in a way that is enjoyable and understandable, but he also has hands-on, personal experience of the subject matter he writes about with dedication and passion. His personal AP examples are inspiring and he is quick to help others who may have questions as they start their journey down the AP road. This book is a must read for anyone with an interest in AP while not breaking the family bank.

Astrophotography has been revolutionized by digital cameras, webcams, computerized telescopes and computer software, and this book provides an excellent introduction. Though still not an inexpensive hobby, the price and time involvement has come way down. This book is mostly about deep-sky strophotography, though it does cover nightscapes and star trails. (I believe there is another book in this series that covers lunar and planetary photography.)Much of it is devoted to selecting and using telescopes and mounts, with an eye towards an easily portable "observatory". If you haven't bought equipment yet, or have a large telescope and want something more portable, there is much good solid advice. There are budget comparisons of different levels of equipment. The many sample photos show what can be done with a 3-4" telescope. Key to the approach is taking many short (no more than 30 seconds) exposures then combining them in a computer. This eliminates the need for precise tracking over long periods (hours). Priceless to me was the walkthrough of using the freeware program DeepSkyStacker- which I used for pictures taken with a DSLR on a tracking mount. The author mentions that this program can have a steep learning curve, but his directions made it very easy. There is also much information on software programs at different price levels. As I continue expanding my astrophotography techniques, I am sure I will return to this book over and over.

There are quite a few good books on AP out there but this one has special appeal for me. It details how someone like me who doesn't suffer from "deep pockets" can turn out some serious images. All the information is presented in a thorough and well organized manner that makes it do-able without spraining one's brain. I'm eager to get started!For those who may be more financially fortunate, it offers a way to "get one's toe in the water" without committing thousands of dollars to learn if AP is for them.And, it proposes an alternative for those who live in light polluted areas to assemble a small "kit" which can easily be transported to a dark sky site.Clear dark skies everyone, and enjoy this book!Bob

Very detailed. Tons of useful information. Assumes you are a complete beginner but is very detailed, comprehensive, informative and specific about both the theory and the doing of astrophotography. Covers everything from telescopes, cameras, mounts, software, etc.

Excellent!!!!

wonderful. saved me from making big purchases i would regret.

Not enough meat in this book.

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Senin, 28 Juli 2014

Free Ebook The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton

Free Ebook The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton

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The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton

The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton


The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton


Free Ebook The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton

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The Abyss Beyond Dreams: A Novel of the Commonwealth (Commonwealth: Chronicle of the Fallers)By Peter F. Hamilton

Bestselling science fiction master Peter F. Hamilton delivers the first of a two-book saga set in his popular Commonwealth universe. Distinguished by deft plotting, a teeming cast of characters, dazzling scientific speculation, and imagination that brings the truly alien to life, The Abyss Beyond Dreams reveals Hamilton as a storyteller of astonishing ingenuity and power.
 
The year is 3326. Nigel Sheldon, one of the founders of the Commonwealth, receives a visit from the Raiel—self-appointed guardians of the Void, the enigmatic construct at the core of the galaxy that threatens the existence of all that lives. The Raiel convince Nigel to participate in a desperate scheme to infiltrate the Void.
 
Once inside, Nigel discovers that humans are not the only life-forms to have been sucked into the Void, where the laws of physics are subtly different and mental powers indistinguishable from magic are commonplace. The humans trapped there are afflicted by an alien species of biological mimics—the Fallers—that are intelligent but merciless killers.
 
Yet these same aliens may hold the key to destroying the threat of the Void forever—if Nigel can uncover their secrets. As the Fallers’ relentless attacks continue, and the fragile human society splinters into civil war, Nigel must uncover the secrets of the Fallers—before he is killed by the very people he has come to save.

Praise for The Abyss Beyond Dreams
 
“The work of an author at the top of his game.”—Science Fiction and Fantasy World
 
“Incredibly robust and exciting and rousing, sharing flavors of Jack Vance, John Wright, China Miéville, Orson Scott Card, and A. E. van Vogt . . . Hamilton’s deployment of lots of grand super-science is utterly deft and convincing.”—Locus
 
“Solidy engrossing fare . . . The characters, always Hamilton’s strength, remain as distinctive as ever.”—Kirkus Reviews
 
“Everything one wants in sf—great characters, mind bending stuff, adventure, politics, romance, revolution . . . just superb.”—Fantasy Book Critic

“Hamilton does a particular kind of planetary politics and space opera very well, and this is a perfect example of it. . . . [The Abyss Beyond Dreams is] a satisfying and well-oiled story, with potential for more epic adventure to come.”—Booklist
 
“Hugely enjoyable . . . Hamilton is so good at handling big plots, at maintaining forward momentum even as he throws in an unexpected twist—and there’s at least one doozy of a didn’t-see-that-coming moment here.”—SFX


From the Hardcover edition.

  • Sales Rank: #239105 in Books
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x 1.10" w x 4.20" l, .0 pounds
  • Binding: Mass Market Paperback
  • 640 pages

Review
“The work of an author at the top of his game.”—Science Fiction and Fantasy World
 
“Incredibly robust and exciting and rousing, sharing flavors of Jack Vance, John Wright, China Miéville, Orson Scott Card, and A. E. van Vogt . . . [Peter F.] Hamilton’s deployment of lots of grand super-science is utterly deft and convincing.”—Locus
 
“Solidy engrossing fare . . . The characters, always Hamilton’s strength, remain as distinctive as ever.”—Kirkus Reviews
 
“Everything one wants in sf—great characters, mind bending stuff, adventure, politics, romance, revolution . . . just superb.”—Fantasy Book Critic

“Hamilton does a particular kind of planetary politics and space opera very well, and this is a perfect example of it. . . . [The Abyss Beyond Dreams is] a satisfying and well-oiled story, with potential for more epic adventure to come.”—Booklist
 
“Hugely enjoyable . . . Hamilton is so good at handling big plots, at maintaining forward momentum even as he throws in an unexpected twist—and there’s at least one doozy of a didn’t-see-that-coming moment here.”—SFX


From the Hardcover edition.

About the Author
Peter F. Hamilton is the author of numerous novels, including Great North Road, The Evolutionary Void, The Temporal Void, The Dreaming Void, Judas Unchained, Pandora’s Star, Misspent Youth, Fallen Dragon, and the acclaimed epic Night’s Dawn trilogy (The Reality Dysfunction, The Neutronium Alchemist, and The Naked God). He lives with his family in England.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

Laura Brandt knew all about coming out of a suspension chamber. It was similar to finishing the old--style rejuvenation procedure she’d undergone back in the day, before biononic inserts and Advancer genes being sequenced into human DNA and practically eradicating the aging process. There would be that slow comfortable rise to consciousness, the body warming at a steady rate, nutrient feeds and narcotic buffering taking the edge off any lingering discomfort and disorientation. So by the time you were properly awake and ready to open your eyes it was like emerging from a really decent night’s sleep, ready to face the day with enthusiasm and anticipation. A full breakfast with pancakes, some crisp bacon, maple syrup, and chilled orange juice (no ice, thanks) would add that extra little touch of panache to make returning to full awareness a welcome experience. And when it happened this time, there she would be at the end of a voyage to a star cluster outside the Milky Way, ready to begin a fresh life with others from the Brandt Dynasty, founding a whole new civilization—-one that was going to be so very different from the jaded old Commonwealth they’d left behind.
Then there was the emergency extraction procedure, which ship’s crew called the tank yank.
Someone slapping the red button on the outside of her suspension chamber. Potent revival drugs ramming into a body that was still chilly. Hematology umbilicals withdrawing from her neck and thighs. Shocked muscles spasming. Bladder sending out frantic pressure signals into her brain, and the emergency extraction had already automatically retracted the catheter—-oh, great design, guys. But that wasn’t as bad as the skull--splitting headache and the top of her diaphragm contracting as her nauseous stomach heaved.
Laura opened her eyes to a blur of horrible colored light at the same time her mouth opened and she vomited. Stomach muscles clenched, bringing her torso up off the padding. Her head hit the chamber’s lid, which hadn’t finished hinging open.
“Hell’s teeth.” Red pain stars joined the confusing blur of shapes. She twisted over to throw up again.
“Easy there,” a voice told her.
Hands gripped her shoulders, supporting her as she retched. A plastic bowl was held up, which caught most of the revolting liquid.
“Any more?”
“What?” Laura groaned.
“Are you going to puke again?”
Laura just snarled at him, too miserable even to know the answer. Every part of her body was forcefully telling her how wretched it felt.
“Take some deep breaths,” the voice told her.
“Oh for . . .”
It was an effort just to breathe at all with the way her body was shuddering, never mind going for some kind of yoga--master inhalations. Stupid voice—-
“You’re doing great. The revive drugs will kick in any minute now.”
Laura swallowed—-disgusting acid taste burning her throat—-but it was fractionally easier to breathe. She hadn’t felt this bad for centuries. It wasn’t a good thought, but at least it was a coherent one. Why aren’t my biononics helping? The tiny molecular machines enriching every cell should be assisting her body to stabilize. She tried to squint the lights into focus, knowing some of them would be her exovision icons. It was all just too much effort.
“Tank yank’s a bitch, huh?”
Laura finally recognized the voice. Andy Granfore, one of the Vermillion’s medical staff—-decent enough man; they’d met at a few preflight parties. She shuddered down a long breath. “What’s happened? Why have you brought me out like this?”
“Captain wants you out and up. And we don’t have much time. Sorry.”
Laura’s eyes managed to focus on Andy’s face, seeing the familiar bulbous nose, dark bags under pale--brown eyes, and graying hair that was all stick--out tufts. Such an old, worn face was unusual in the Commonwealth, where everyone used cosmetic gene--sequencing to look flawless. Laura always thought that humanity these days was like a race of youthful supermodels—-which wasn’t necessarily an improvement. Anything less than perfection was either a fashion statement or a genuine individualistic screw you to conformity.
“Is Vermillion damaged?”
“No.” He gave her an anxious grin. “Not exactly. Just lost.”
“Lost?” Which was possibly an even more worrying answer. How could you get lost flying to a star cluster that measured twenty thousand light--years in diameter? It wasn’t as if you could lose sight of something of that magnitude. “That’s ridiculous.”
“The captain will explain. Let’s get you to the bridge.”
Laura silently asked her u--shadow for a general status review. The ubiquitous semi--sentient utility routine running in her macrocellular clusters responded immediately by unfolding a basic array of mental icons, slender lines of blue fairy light that superimposed themselves within her wobbly vision. She frowned. If she was reading their efficiency modes correctly, her biononics had suffered some kind of serious glitch. The only reason she could imagine for that level of decay was simple aging. Her heart gave a jump as she wondered how long she’d been in suspension. She checked the digits of her time display. Which was even more puzzling.
“Two thousand two hundred and thirty--one days?”
“What?” Andy asked.
“We’ve been under way for two thousand two hundred and thirty--one days? Where the hell are we?” Traveling for that long at ultradrive speeds would have taken them almost three million light--years from Earth, a long long way outside the Milky Way.
His old face amplified how disconcerted he was. “It might have been that long. We’re not too sure about relativistic time compression in here.”
“Whaa—-”
“Just . . . Let’s get you to the bridge, okay? The captain will give you a proper briefing. I’m not the best person to explain this. Trust me.”
“Okay.”
He helped her swing her legs off the padding. Dizziness hit her hard as she stood up, and she almost crumpled. Andy was ready for it and held her tight for a long moment while she steadied herself.
The suspension bay looked intact to her, a long cave of metal ribs containing a thousand large sarcophagus--like suspension chambers. Lots of reassuring green monitor lights shining on every unit as far as she could make out. She gave a satisfied nod. “All right. Let me freshen up and we’ll go. Have the bathrooms been switched on?” For some reason she was having trouble interfacing directly with the ship’s network.
“No time,” Andy said. “The transport pod is this way.”
Laura managed to coordinate her facial muscles enough to give him a piqued expression before she allowed herself to be guided along the decking to the end of the bay. A set of malmetal quad--doors peeled open. The pod on the other side was a simple circular room with a bench seat running around it.
“Here,” Andy said after she slumped down, almost exhausted by the short walk—-well, shuffle. He handed her a packet of clothes and some spore wipes.
She gave the wipes a derisory glance. “Seriously?”
“Best I can offer.”
So while he used the pod’s manual control panel to tap in their destination, she cleaned up her face and hands, then stripped off her sleeveless medical gown. Body--modesty was something most people grew out of when they were in their second century and resequenced like Greek godlings, and she didn’t care about Andy anyway; he was medical.
She saw in dismay that her skin color was all off. Her second major biononic re--form on her ninetieth birthday had included some sequencing to emphasize her mother’s northern Mediterranean heritage, darkening her epidermis to an almost African black. It was a shading she’d maintained for the entire 326 years since. Now, though, she just looked like a porcelain doll about to shatter from age. Suspension had tainted her skin to an awful dark gray with a multitude of tiny water--immersion wrinkles—-except it was paper--dry. Must remember to moisturize, she told herself. Her hair was a very dark ginger, courtesy of a rather silly admiration for Grissy Gold, the gulam blues singer who’d reveled in an amazing decade of trans--Commonwealth success—-232 years ago. That wasn’t too bad, she decided, pulling at badly tangled strands of it, but it was going to take liters of conditioner to put the gloss back in. Then she peered at the buffed metal wall of the travel pod, which was hardly the best mirror . . . Her normally thin face was horribly puffy, almost hiding her cheekbones, and her emerald--green eyes were all hangover--bloodshot with bags just as bad as Andy’s underneath. “Bollocks,” she groaned.
As she started pulling on the dreary ship’s one--piece suit she saw how flabby her flesh had become after such a long suspension, especially around the thighs. Oh, not again! She deliberately didn’t look at her bum. It was going to take months of exercise to get back in shape, and Laura no longer cheated by using biononics to sculpt bodyform like most; she believed in earning her fitness, a primitive body--pride that came from those five years hiding away from the world at a Naturalist faction ashram in the Austrian Alps after a particularly painful relationship--crash.
With the drugs finally banishing the worst of the tank yank, she sealed up the suit and rotated her shoulders as if she were prepping for a big gym session. “This had better be good,” she grunted as the pod slowed. It had taken barely five minutes to travel along the Vermillion’s axial spine, past the twenty other suspension bays that made up the giant starship’s midsection. And still her u--shadow couldn’t connect to Vermillion’s network.
The pod’s quad--door opened to reveal Vermillion’s bridge—-a somewhat symbolic claim for a chamber in the age of homogenized network architecture. It was more like a pleasant franchise coffee lounge with long settees arranged in a conversation circle, and giant high--rez hologram panes on the walls.
About fifteen people were in there, most of them huddled in small groups on the settees having intense exchanges. Everybody looked badly stressed. Laura saw several who had clearly just been tank yanked like her and recognized them straightaway; also like her, they were all from the starship’s science team.
That was when she became aware of a very peculiar sensation inside her head. It was like the emotional context of a conversation within the gaiafield—-except her gaiamotes were inactive. She’d never really embraced the whole gaiafield concept, which had been developed to give the Commonwealth the capability of direct mind--to--mind communication through an alien adaptation of quantum entanglement theory. Some people loved the potential for intimate thought sharing it brought, claiming it was the ultimate evolution of intellect, permitting everyone else’s viewpoint to be appreciated. That way, the argument went, conflict would be banished. Laura thought that was a bunch of crap. To her it was the creepy extreme of voyeurism. Unhealthy, to put it mildly. She had gaiamotes because it was occasionally a useful communication tool, and even more sporadically helpful for acquiring large quantities of information. But for day--to--day use, forget it. She stuck with the good old--fashioned and reliable unisphere links.
“How’s that happening?” she grunted, frowning. Her u--shadow confirmed that her gaiamotes were inactive. Nobody could connect directly to her neural strata. And yet . . .
Torak, the Vermillion’s chief xenobiology officer, gave her a lopsided grin. “If you think that’s weird, how about this?” A tall plastic mug of tea floated through the air toward him, trailing wisps of steam. Torak stared at it in concentration, holding out his hand. The mug sailed into his palm, and he closed his fingers around it with a smug grin.
Laura gave the bridge ceiling a puzzled look, her ever--practical mind immediately reviewing the parameters of ingrav field projector systems. Theoretically it would be possible to manipulate the ship’s gravity field to move objects around like that, but it would be a ridiculous amount of effort and machinery for a simple conjuring trick. “What kind of gravity manipulation was that?”
“It’s not.” Torak’s lips hadn’t moved. Yet the voice was clear in her head, along with enough emotional overspill to confirm it was him “speaking.”
“How did you . . . ?”
“I can show you what we’ve learned, if you’ll let me,” Torak said.
She gave him an apprehensive nod. Then something like a memory was bubbling up into her mind like a cold fizzy liquid, a memory that wasn’t hers. So similar to a gaiafield emission, but at the same time definitely not. She had no control over it, no way of regulating the images and voices. That scared her.
Then the knowledge was rippling out inside her brain, settling down, becoming instinct.
“Telepathy?” she squeaked as she knew. And at the same time, she could sense her thoughts broadcasting the astonished question across the bridge. Several of the crew flinched at the strength of it impinging on their own thoughts.
“In the purest sense,” Torak responded. “And telekinesis, too.” He let go of the teacup, which hung in midair.
Laura stared at it in a kind of numb fascination. In her head, new insights showed her how to perform the fantasy ability. She shaped her thoughts just so, reaching for the teacup. Somehow feeling it; the weight impinged on her consciousness.
Torak released his hold on it, and the cup wobbled about, dropping ten centimeters. Laura reinforced her mental grip on the physical object, and it continued to hang in midair. She gave a twitchy laugh before carefully lowering it to the floor. “That is some serious bollocks,” she murmured.
“We have ESP, too,” Torak said. “You might want to close your thoughts up. They’re kind of . . . available.”
Laura gave him a startled glance, then blushed as she hurriedly tried to apply the knowledge of how to shield her thoughts—-intimate, painfully private thoughts—-from the scrutiny of everyone on the bridge. “All right; enough. Will someone please tell me what the hell is going on? How are we doing this? What’s happened?”
Captain Cornelius Brandt stood up. He wasn’t a particularly tall man, and worry made him appear stooped. Laura could tell just how worn down and anxious he was; despite his efforts to keep his thoughts opaque and calm, alarm was leaking out of him like ethereal pheromones. “We believe we’re in the Void,” he said.
“That’s impossible,” Laura said automatically. The Void was the core of the galaxy. Up until 2560 when the Endeavor, a ship from the Commonwealth Navy Exploration fleet, completed the first circumnavigation of the galaxy, astronomers had assumed it was the same kind of supermassive black hole that most galaxies had at their center. It was massive. And it did have an event horizon, just like an ordinary black hole. But this one was different. It wasn’t natural.
As the Endeavor soon learned, the Raiel—-an alien race more technologically advanced than the Commonwealth—-had been guarding the boundary for over a million years. In fact, they’d declared war on the Void. From the moment their first crude starships encountered it, they’d carefully observed the event horizon undergoing unnatural expansion phases. Incredibly for anything that large on a cosmological scale, it appeared to be an artifact. Purpose unknown. But given the severity and unpredictability of its expansion phases, it would eventually inflate out to consume the entire galaxy long before any natural black hole would have.
So the Raiel invaded. Thousands upon thousands of the greatest warships ever built tore open the Void’s boundary and streaked inside.
None returned. The entire armada had no apparent effect on the Void or its atypical, inexorable expansion. That was a million years ago. They’d been guarding the boundary ever since.
Wilson Kime, who captained the Endeavor, was politely but firmly ordered to turn back and fly outside the Wall stars that formed a thick band around the Void. After that, the Raiel invited the Commonwealth to join the multispecies science mission that kept a constant watch on the Void. A mission that had lasted since the Raiel armada invaded, and in those million years had added precisely nothing to the knowledge of what lurked on the other side of the event horizon boundary.
“Improbable,” Cornelius corrected. “Not impossible.”
“Well, how did we get inside? I thought our course took us around the Wall stars.”
“Closest approach to the Wall was three thousand light--years,” Cornelius said. “That’s when we fell inside. Or jumped. Or got snatched. We’re still not sure how. Presumably some kind of teleport connection opened up inside hyperspace. It would take a phenome-nally advanced technology to create that—-but then as we’ve all suddenly been granted superhuman powers, quantum hyperfield theory is the least of our problems.”
Laura gave him an incredulous stare. “But why?”
“Not sure. The only clue we have is Tiger Brandt. Just before we were brought in, she said she experienced some kind of mental contact, like a dream reaching through the gaiafield, but a lot fainter. Something sensed us or her. Next thing we knew . . . we were inside.”
“Tiger Brandt?” Laura asked. She knew all about Tiger, who was married to Rahka Brandt, the captain of the Ventura. “Wait, you mean the Ventura is in here with us?”
“All seven ships were pulled in,” Cornelius said gloomily.
Laura looked at the teacup again, ignoring all her tank yank discomforts. “And this is the inside of the Void?” she asked incredulously.
“Yes. As far as we understand, it’s some kind of micro--universe with a very different quantum structure from spacetime outside. Thought can interact with reality at some fundamental level, which is why we’ve suddenly acquired all these mental powers.”
“By the action of watching, the observer affects the reality of that which is watched,” she whispered.
Cornelius raised an eyebrow. “Neatly understated.”
“So how do we get out?”
“Good question.” Cornelius indicated one of the large holographic images behind him. It showed her space with very few stars, and a number of exotic and beautifully delicate nebulae. “We can’t see an end to it. The inside of the void seems to be some kind of multidimensional Möbius strip. In here, the boundary doesn’t exist.”
“So where are we going?”
Cornelius’s mind leaked a sensation of desperation and despair that made Laura shiver again. “The Skylord is taking us to what it claims is an H--congruous planet. Sensors are confirming that status now.”
“The what?”
Cornelius gestured. “Skylord.”
With a stiff back, Laura turned around. The high--rez image behind her was taken from a sensor mounted on the forward section of the starship, where the ultradrive unit and force field generators were clustered. The bottom fifth of the image showed the curving carbotanium hull with its thick layer of grubby--gray thermal foam. On the top of the hologram was a small blue--white crescent, similar to any of the H--congruous worlds in the Commonwealth—-though its night side lacked any city lights. And between the hull and the planet was the strangest nebula Laura could conceive. As she stared, she saw it had some kind of solid core, a long ovoid shape. It wasn’t truly solid, she realized, but actually comprised sheets of some crystalline substance warped into an extraordinary Calabi--Yau manifold geometry. The shimmering surfaces were alive with weird multicolored patterns that flowed like liquid—-or maybe it was the structure itself that was unstable. She couldn’t tell, for flowing around it was some kind of haze, also moving in strange confluences. “Serious bollocks,” she grunted.
“It’s a kind of spaceborne life,” Cornelius said. “Three of them rendezvoused with us not long after we were pulled into the Void. They’re sentient. You can use your telepathy to converse with them, though it’s like talking to a savant. Their thought processes aren’t quite like ours. But they can fly through this space. Or at least manipulate it somehow. They offered to lead us to worlds inside the Void where we could live. Ventura, Vanguard, Violet, and Valley followed two Skylords. Vermillion is following this one along with Viscount and Verdant. We decided that splitting the starships gives us a better chance of finding a viable H--congruous planet.”
“With respect,” Laura said, “why are we following any of them to a planet at all? Surely we should be doing everything we can to find the way out? All of us are on board for one reason, to found a new civilization outside this galaxy. Now, granted the inside of the Void is utterly fascinating, and the Raiel would give their right bollock to be here, but you cannot make that decision for us.”
Cornelius’s expression was weary. “We’re trying to find an H--congruous planet, because the alternative is death. Have you noticed your biononic function?”
“Yes. It’s very poor.”
“Same for any chunk of technology on board. What passes for spacetime in here is corroding our systems a percentage point at a time. The first thing to fail was the ultradrive, presumably because it’s the most sophisticated system on board. But for the last year there have been fluctuations in the direct mass converters, which were growing more severe. I couldn’t risk leaving them online. We’re using fusion reactors to power the ingrav drive units now.”
“What?” she asked in shock. “You mean we’ve been traveling slower than light all this time?”
“Point nine light speed since we arrived, nearly six years ago now,” Cornelius confirmed bitterly. “Thankfully the suspension chambers have remained functional, or we would have had a real disaster on our hands.”
Laura’s first reaction was, Why didn’t you get me out of suspension back then? I could have helped. But that was probably what everyone on board would think. And from what she understood of their situation, the captain had done pretty well under the circumstances. Besides, her specialist field of molecular physics probably wouldn’t be that helpful in analyzing a different spacetime structure.
She was drawn to the bright crescent ahead. “Is it H--congruous?”
“We think so, yes.”
“Is that why you tank yanked me? To help with a survey?”
“No. We’re six million kilometers out and decelerating hard. We’ll reach orbit in another two days. Heaven alone knows how we’ll cope with landing, but we’ll tackle that when it happens. No, you’re here because our sensors found something at the planet’s Lagrange One point.” Cornelius closed his eyes, and the image shifted, focusing on the Lagrange point one and a half million kilometers above the planet’s sunlit hemisphere, where the star’s gravitational pull was perfectly countered by the planet’s gravity. The area was filled with a fuzzy blob that either the sensors or Laura’s eyes couldn’t quite focus on. It seemed to be speckled, as if it were made up from thousands of tiny motes.
“What is that?” she asked.
“We’re calling it the Forest,” Cornelius said. “It’s a cluster of objects that are about eleven kilometers long, with a surface distortion similar to our Skylord friend.”
“More of them?”
“Not quite, the shape is wrong. These things are slim with bulbous ends. And there’s something else. The whole Lagrange point is emitting a different quantum signature from the rest of the Void.”
“Another quantum environment?” she asked skeptically.
“So it would seem.”
“How is that possible—-?” Laura’s shoulders slumped as she suddenly realized why she’d been tank yanked—-she and the other science staff sitting in the bridge. “You want us to go and find out what it is, don’t you?”
Cornelius nodded. “I cannot justify stopping the Vermillion in a possibly hostile environment to conduct a scientific examination. My priority has to be getting us down intact on an H--congruous world. So you’ll command a small science team. Take a shuttle over to the Forest and run whatever tests you can. It might help us, or it might not. But frankly, anything that can add to our knowledge base has to be considered useful at this stage.”
“Yeah,” she said in resignation. “I can see that.”
“Take shuttle fourteen,” he said.
Laura could sense that shuttle had some kind of significance to him. It was the sensation of expectation running through his thoughts that signaled it, but her brain still wasn’t up to working out why. She told her u--shadow to pull the file from her storage lacuna. Data on the shuttle played through her mind, and she still didn’t get it . . . “Why that one?”
“It has wings,” Cornelius said softly. “If you have a major systems glitch, you can still aerobrake and glide down to the surface.”
Then she got it. “Oh, right; the shuttle doesn’t need its ingrav units to land.”
“No. The shuttle doesn’t.”
Laura’s blood seemed to be chilling back down to suspension levels again. The Vermillion, over a kilometer long and not remotely aerodynamic, was utterly dependent on regrav to slow to zero velocity relative to the planet and ingrav to drift down to a light--as--a--feather landing. Of course there were multiple redundancies built in, and no moving parts, making failure just about inconceivable. In the normal universe.
“Once we’ve confirmed H--congruous status, I’ll be launching all twenty--three shuttles from orbit,” Cornelius said. “As will the Viscount and Verdant.”
Laura told her u--shadow to recenter the bridge display on the -planet. It still couldn’t interface with the starship’s net. “Uh, sir, how did you load your orders into the command core?”
“Gaiafield. The confluence nest is one system that hasn’t been affected by the Void.”
And the confluence nest that generated the local gaiafield was hardwired into the ship’s network, Laura realized. Funny what worked and what didn’t in the Void.
 


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